Saturday, December 9, 2017

#1935: Patrick Marsh

Patrick Marsh is a former employee of Universal Studios and the design director for the Ark Encounter (Mike Zovath headed the management team; comprehensive description here), which is “a full-size Noah’s Ark, built according to the dimensions given in the Bible” in Kentucky and the subject of well-deserved, international mockery, partly since the resulting wooden box sort of piles on further evidence – if more were needed – that the Ark myth is, indeed, completely and utterly a myth. Although scientists have cataloged 1.3 million species of animals, the Ark Encounter figured that Noah could have brought on just 1,000 to 2,000 pairs to represent every animal “kind” (the pseudoscientific study of Biblical “kinds”, baraminology, is accordingly notable mostly for unintentionally providing further evidence for evolution). Of course, they don’t think too hard about e.g. insects or aquatic species, but neither does the target audience, presumably. The Ark Encounter was initially supposed to include a lot of other exhibits about antediluvian life, though those are apparently not yet in place.

Anyways, “[w]e’re basically presenting what the Bible has to say and showing how plausible it was,” says Marsh, which the encounter to some extent actually does, but not in the way Marsh intends, making Marsh’s assertion that “this was a real piece of history – not just a story, not just a legendsound a bit desperate. According to Marsh the whole Ark encounter is really about evangelism to the unchurched: “the Bible is the only thing that gives you the full picture. Other religions don’t have that, and, as for scientists, so much of what they believe is pretty fuzzy about life and its origins.” Apparently, Marsh also wanted to show that early man was not primitive (he doesn’t believe in non-human hominid fossils). For instance, “Adam one of the most brilliant people that ever lived on this earth. In a very short period of time he named all of the animals that there were,” which assumes a non-standard interpretation of “brilliance”.

Apparently the Creation Museum itself was Marsh’s brainchild as well; the theme park (not a museum) was supposed to present the story of Creation as “faithful to scripture” as possible, except for that pesky thing about nudity in the Garden of Eden, which they wished weren’t there.

Diagnosis: Seriously crazy fundie. How much his theatrical theme parks will manage to sway those not already lost to seriously crazy fundamentalism is a different matter, however.

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